international slavery museum curator

Part of the National Museums Liverpool group, this venue explores historical and contemporary aspects of slavery. It is situated on the third floor of the Merseyside Maritime Museum at the Royal Albert Dock in Liverpool. He said: “What 2020 has done has made a lot more people aware, who weren’t previously, of how entrenched racism is in our society. Minister Baboo under the sway of his officers, disregarded the proposal and paid a visit to the International Slavery Museum of Liverpool. As well as sharing stories and perspectives previously untold, something that all museums worldwide have to acknowledge, is how the colonial artefacts they display were originally acquired. Discussions with the public will be a cornerstone for this work, reflecting the fact this history cannot be neatly packed into one single, all-encompassing experience or story. Head of International Slavery Museum Dr Richard Benjamin comments: “I am delighted to hear that Jean-Francois has received the great honour of becoming a Knight of the Order of Arts and from the French Minister of Culture, and indeed the French cultural sector. It was thought to have carried a cargo of cotton to a number of Glasgow merchants. International Slavery Museum’s curator awarded Chevalier de l’Ordre des Arts et Lettres. The International Slavery Museum opened in August 2007. This talk for museum/heritage/culture professionals will explore: ‘Developing exhibitions on challenging and emotive topics’ This is a free event. What jobs other than ‘curator’ can someone do in a museum? Subscribe for only £5.49 a month and enjoy all the benefits of the printed paper as a digital replica. more like this. After further research into it, the American ship on the left was found to most likely be the Lindsays, arriving from New Orleans. © DC Thomson Co Ltd 2021. These are the things that enriched Glasgow. We do certainly have some though that we could look to use to interpret and tell those stories and make those connections.”. They are also expected to contribute to their academic field by publishing articles, presenting at conferences, or speaking. Jean-Francois is a valued member of the ISM family and his experience and creativity has taken the Museum on a new artistic and curatorial journey. The new curator post is funded for two years by Museums Galleries Scotland. “While it’s not a historic document, there’s such a clear symbol of how Glasgow came to be the city that we see now.”. “The symbols of it are all there, to the left of the painting you can see a sailing ship with the American flag, which would likely be carrying cotton from a plantation worked on by enslaved people. “Consultation is one way, actually asking people how they think we should be approaching it, but it’s also important to look at ways of incorporating the voices of people, particularly those whose heritage is most closely associated with this history. He is also an internationally prized photographer and film director. Figurines of deities from the Santeria religion are among Miles’ favourite collection of objects in the museums’ possession. New Film Shows Bluecoat from a Bee’s Eye View, Pilot Ship Edmund Gardner Re-Opens to the Public, Recent Additions to the Artists Directory, The Living Marketplace – New Shop – Get Involved, LightNight presents The Super Sonic Assembly at Liverpool Anglican Cathedral. And its spread, Miles said, is an example of why the legacy of colonialism shouldn’t just be stories of oppression. We certainly have a role to make those connections.”. Stephen Carl-Lokko, curator at the International Slavery Museum, says: “This acquisition represents the first painting ever to be acquired by National Museums Liverpool to depict the powerful and resonant iconography of abolition and we are very pleased to add it to our collection. The cotton would have been the product of the plantations of Southern America, and the importers would almost certainly be making vast profits on the back of slave labour. 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