[14] He believed the group were "on the same page" and supported it at the time, but later saw Wakeman's criticisms as the end of a period of "illusive harmony" that existed in Yes since Fragile (1971). One of his best-known and most popular works. Seeing YES as a band who could exploit their previous success and make further inroads into the US market, Atlantic decided that their next album could and should be even bigger than Close to the Edge. Nearly double that of Pink Floyd’s legendary album The Dark Side of the Moon , and monstrous compared to the mere 37 minutes of Close to the Edge . We can see. Nous – Ritual (Live, Zurich, April 1974) and tender love as we took to the air, a picture of distance. beauties and treasures of lots civilisations, Indian, Chinese, Central I love Frederick Delius. Bisbort wrote about his criticisms of its concept and the idea of the group, "who went East, got a shot of knowledge, came back West, had lots of money at their disposal ... and decided to cut an album guaranteed to give shortcut answers to the question for the multitude". The landscape comprised amongst other things, some famous English rocks taken from Dominy Hamilton's postcard collection. It topped the UK Album Chart for two weeks and reached No. Outwards ways, Things are all in colours and the size of other’s shall send you forward Blu-Ray features all of the above – 5.1 mixes in DTS-HD MA, new mixes at 24/96, original mixes at 24/192 in LPCM Stereo + additional music including new instrumental mixes, new single edits, a complete album of alternative takes (including two previously unreleased sides – one studio, one live) and needle-drops of an original UK vinyl pressing and a US banded promo album pressing. – A needle-drop of an original UK vinyl pressing Consequently the old favourites were reintroduced and two sides of Topographic dropped, increasing the divide that had already arisen between Rick Wakeman and the rest of the band. We danced as evenings sang their song Web face to face with the shallow It was an enormous feat and subsequently the album was a huge success. Later that day, he found out his solo album Journey to the Centre of the Earth had entered the UK chart at number one. Also a Cadillac and a Jaguar XK 150s, which is in immaculate condition – well, they all are! 4.5 I love my dreams very much. As we shall speak to differ also the ends meet the river’s son As to call light to the soul shall sing of the velvet sailors’ course on All lyrics by Jon Anderson and Steve Howe. Tales from Topographic Oceans is the sixth studio album by English progressive rock band Yes, released on 7 December 1973 by Atlantic Records. Despite various setbacks, on 18 January 1974, Rick pulled it off. [41], On 8 November 1973, Tales from Topographic Oceans was set to be played on Radio Luxembourg by host David Jensen,[42] but according to Anderson, the radio station somehow received blank tapes, resulting in dead air after the album was introduced. For the band it was not before time. [19] At the time of recording, heavy metal group Black Sabbath were recording Sabbath Bloody Sabbath (1973) in the adjacent studio. He had been reading books on the inner self, specifically The Finding of the Third Eye by Vera Stanley-Adler, and Paramhansa Yogananda’s The Autobiography of a Yogi (given to Jon by King Crimson member Jamie Muir) which immediately captured his imagination. ‘Travelling and performing caused me to think more about what I was eating,‘ explained Steve. Website by, THE REVEALING SCIENCE OF GOD (DANCE OF DAWN), iTunes (Standard Edition, Mastered for iTunes). The album was negatively received by keyboardist Rick Wakeman, who disagreed with its structure and elaborate concept and felt unable to contribute to the music that had been written. Alternate ways, Softer messages bringing light to a truth long forgotten on Silently Rainbows [18] The "Young Christians see it..." section of the song originated from a take recorded during the Fragile recording sessions that was previously unreleased until the album's 2015 reissue, which contained the track named "All Fighters Past". Other skylines to hold you, Relayer Distant suns Jon admitted that he learnt a lot from Jamie Muir. Maybe I’ll just say hello In doing this, since we now have the ability to work with the latest high resolution audio tools, it allows for greater clarity between instruments to be achieved. present and relay the struggle out of which comes a positive source. It is also the last album to feature Rick Wakeman until he returned in 1976.. During the first few months the band held rehearsals at Manticore Studios in London, followed by a move to Morgan Studios. – Ritual (Single Edit I) Life seems like a Whispers of clay But if you treat the new mixes as an alternate perspective, you may notice additional details you hadn’t before, and more importantly the new stereo mixes are a step along the way to creating the 5.1 surround sound mixes. Atuned to the majesty of music ‘Some designers were working with budgets literally a hundred times greater than we were spending.‘, By this stage Steve had become a vegetarian, like most of the band. American, Atlantean. At first, they were taken back by the sheer scale of the project and the key concepts, and not convinced that this was a positive step forward from Close To The Edge. I saw Yes on the topographic oceans tour at the Philadelphia spectrum and it was the worst concert me and my friends had ever been to, or since. They move around tell me that (Note that if you just can’t get on with the remixes, then the original mixes are also included in these reissues for the first time as high resolution flat transfers, so none of that added mastering EQ or compression, exactly as they left the studio after Eddy had mixed them). Rick commented, ‘I had some great times and some lousy times. It went gold on pre-sales alone and was nominated for Grammy awards in the US. [7] One riff that Howe played for Anderson was rejected at first, but it was later incorporated into "The Ancient" as by then, the two sought for a different theme that would suit the track. [73] The band spent £5,000 on a hot air balloon which was decorated with the album's artwork and tethered in each city they performed in the US. Tales from Topographic Oceans was reissued in 1994 and 2003; the latter included previously unreleased tracks. – Giants Under The Sun (Studio Run-Through) The four tracks that made up Tales From Topographic Oceans were ‘>The Revealing Science of God‘, ‘The Remembering‘, ‘The Ancient‘ and ‘Ritual‘. [7] Yes's studio time amounted to £90,000 in costs. The set was altered as it progressed, with "The Revealing Science of God" dropped for some early shows in 1974 and "The Remembering" removed completely from March. This was a new experience for YES, whose relationship with the press had been extremely amicable up to this point. Now we can make things twice as long, twice as boring, and twice as drawn out! And I will be there [7], "The Remembering" relates to the smriti, literally meaning "that which is remembered". Relayer [22] "About halfway through the album", said Offord, "The cows were covered in graffiti and all the plants had died. Dawn of thought transferred through moments of days undersearching earth Let them rape the forest [53] Chris Welch reviewed the album for Melody Maker and wrote: "It is a fragmented masterpiece, assembled with loving care and long hours in the studio. Magic turned our eyes Find similar albums to Tales from Topographic Oceans - Yes on AllMusic. Its liner notes feature a short summary written by Anderson of how the album's concept is expressed in a musical sense. [18] Squire described his bass playing on the track, done on a fretless Guild bass, as "one of the nicest things" he has done, ranking it higher than his playing on some of the band's more popular tracks. ", "Side one was the commercial or easy-listening side of, (a. Remixing, on the other hand, entails a more sophisticated and time consuming process – going back to the original 16 or 24 track multitrack session tapes, and then recreating the mix from the drums up. Relayer Dream as one [24], Wakeman felt increasingly disenchanted by the album during the recording stage, and spent much of his time drinking and playing darts in the studio bar. As certain as we walk today Craving penetrations offer links with the self instructor’s sharp Dawn of our power we amuse redescending as fast as misused Life seems like a Steve added, ‘We had so much space on that album that we were able to explore things, which I think was tremendously good for us. [76] Wakeman declined to attend rehearsals for their next album and confirmed his exit on 18 May 1974, his twenty-fifth birthday. I tend to want to do two or three things a day. They stopped the car to find the tapes had slid off and fallen on the road, causing Anderson to rush back and stop an oncoming bus to save them. Available in a range of colours and styles for men, women, and everyone. Prior to the flight, Dean had completed the front cover to The View Over Atlantis (1969) by John Michell, and "the wives and girlfriends made a cake ... and we all had some. Young Christians see it from the beginning [4] They ended with four pieces that Wakeman recalled: "One was about eight minutes. Skyline teacher They move time 1973. The strength regains us in between our time Release forward YES had a massive fan base and were achieving big sales at this point, something that they did not want put at risk by Rick’s unease. Review the work I’m going to do that day. ‘Despite all our different lifestyles, we had survived because when we got together musically, it all worked. knowledge. [10][12] Though he considered "Ritual (Nous sommes du soleil)" as a strong track and good melodies and themes throughout the album, Wakeman remained displeased with the "padding" that was added. But when you are in your sleeping dream, it is a highly spiritual one.‘. That the evenings take you [19] Anderson brought in flowers, pots of greenery, and cut out cows and sheep to make the studio resemble a garden as a typical studio did not "push the envelope about what you're trying to create musically". [9] At one point during the recording stage, Anderson wished for a "bathroom sound" effect on his vocals and asked the band's lighting engineer, Michael Tait, to build him a plywood box with tiles stuck onto it. He called it "a day I will never forget for as long as I live".[77]. The four-disc set available on CD and Blu-ray or DVD-Audio that includes the new mixes, several bonus and previously unreleased mixes and tracks, and expanded and restored cover art. Press indifference to the album had resulted in heated discussions within the band. I must have waited all my life for this Additionally many of these reissues have been subjected to mastering compression to make them sound louder and in theory more “exciting”, but at the expense of the natural dynamics of the recording. remembering. Winds allow And stay maybe a while, Let them run, let them chase We drift the shadows and course our way on home So the ends meet the river’s son, Ours the story shall we carry on But I got sort of hip." Tales from Topographic Oceans is one of those niche albums like Third and Zeit that take a long time to grow on someone, but once done it is a classic. [42], The album was released in the UK on 7 December 1973,[44] followed by its North American release on 9 January 1974. [10] Squire recognised "a lot of substance" to the four tracks, but thought they lacked at times which resulted in an album that is "too varied and too scattered". Shine or moons send me memories trail over days of forgotten tales Here Steve’s guitar is pivotal in sharpening reflection on the Oct 15, 2017 - Explore BC Beats's board "TALES FROM TOPOGRAPHIC OCEANS" on Pinterest. are not so significant as the nature of what is impressed on the mind, and how To feast on the treasure set for our strange device, What happened to wonders we once knew so well Quite unlike anything before it, Tales From Topographic Oceans did receive some good press, but, for the first time, YES were also attracting negative reviews. [33] Howe's outro guitar solo was more improvised and jazz-oriented at first, but the rest of the group felt dissatisfied with the arrangement. The album should have been aired on Radio One in the UK, prior to the tour and official release date but, due to a mix up, the wrong tapes were sent to the station. [56] Steve Peacock reviewed the album and a live performance of it for Sounds using the headlines "Wishy washy tales from the deep" and "Close to boredom". Will we reach Uneasy Tales from Topographic Oceans", "Steve Howe: "Guitars always give me a feeling of complete freedom, "Notes from the Edge #124 – Conversation with Steve Howe conducted 27 November 1994", "Ask YES – Friday 17th May 2013 – Steve Howe", "Roger Dean Interview: Getting Close To The Edge", "Cover Story: Yes – Tales From Topographic Oceans", "NFTE #308: Conversation with Roger Dean from 3 September 2008", "Tales from Topographic Oceans – Charts & Awards", "Gold & Platinum: Searchable Database: Tales from Topographic Oceans", "Yes: Tales from Topographic Oceans (Definitive Edition)", "NME List: 40 Records That Captured The Moment", "Yes: Tales from Topographic Oceans (CD – Atlantic / Elektra / Rhino #7567826832)", "Yes: Tales from Topographic Oceans (CD – Warner Bros. / WEA #WPCR-11685)", "Release Date and Contents For Upcoming Steven Wilson Remix Of Yes' Tales From Topographic Oceans", Something's Coming: The BBC Recordings 1969–1970, Like It Is: Yes at the Bristol Hippodrome, The Ultimate Yes: 35th Anniversary Collection, Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman, https://en.wikipedia.org/w/index.php?title=Tales_from_Topographic_Oceans&oldid=994286899, Albums with cover art by Roger Dean (artist), Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License, "The Revealing Science of God (Dance of the Dawn)", "Dance of the Dawn (Extended version, mislabelled as Studio Run-Through)", "Giants Under the Sun (Studio Run-Through)", "The Revealing Science of God (Single Edit)", "Dance of the Dawn (Extended Version of "The Revealing Science of God")", "Dance of the Dawn (Extended Version of The Revealing Science of God)", This page was last edited on 14 December 2020, at 23:17. Does a a shadow come between us in the winter Did we forget what happened surely we can tell [30] The track includes a keyboard solo from Wakeman that Anderson wrote in the album's liner notes, "bring alive the ebb and flow and depth of our mind's eye". Sunlight, seeing ground Applying EQ to each individual instrument (rather than across a whole mix), rebalancing, recreating echo, reverberation, phasing and other effects, making volume moves, positioning elements in the stereo spectrum, and more. Offord placed them on-top of his car in order to find his car keys, and proceeded to drive away, forgetting about the tapes. I was thinking at one stage, "I'll do that. [11] The group had no new material to develop, however, so ideas were penned that relied heavily on improvisation which Wakeman disagreed with, calling it "almost busking, free-form thinking" and thought the music ventured into "avant-garde jazz rock, and I had nothing to offer". It's not the kind of album that feels comfortable playing as a whole twice in the week. [5] Anderson spoke about his meeting with Muir: "I felt I had to learn from him. The strength of you seeing lies with you, Ours entrace we surely carry on Call out all our memories [17] Anderson had thought of recording under a tent in a forest at night with electrical generators buried into the ground so they would be inaudible, but "when I suggested that, they all said, 'Jon, get a life! – Dance of the Dawn (Studio Run-Through) Nous sommes du soleil. Anderson suggested that Howe pick several themes from the album and combine them, which Howe did with "a more concise, more thematic approach". Signed promise for moments caught within the spell There’s someone, to tell you, Ah Kin At all at all, Hold me my love, hold me today call me round Tales from Topographic Oceans is the sixth studio album from Yes, released in the UK on December 14, 1973 (January 9, 1974, in the US). To work towards a very harmonious sort of sound is the law of the land with this band, and I think it was broken on a few occasions… A time finally came when I decided that my weight should be heard. Morgan Studio, London, England Have a light breakfast. Moment moment moment, Star light movements in seasons Remember to sail the skies However, as time went by, the concept developed into a double album because the tracks began to get longer and longer, some running over 25 minutes, producing a total of only four tracks. The pair presented the concept to the band back in the UK – with a decidedly mixed reaction. The source There’s someone, to tell you, Other skylines to hold you, Relayer 4:40 / b. Constant to the soul, Change we must as surely time does Relayer Sent through the rhythm work out the story There’s an art to dreaming. However, when Atlantic first listened to it, the mood was one of sheer incredulity – only four tracks on a double album was unheard of at that time. Everyone agreed that they would concentrate on longer pieces of music, carrying strong themes, or stories, and covering entire sides of the album. Original Vinyl LP Tales From Topographic Oceans by the band Yes. Clearly to be home, Getting over wars we do not mean We love when we play, We hear a sound and alter our returning Howe recalled: "Jon would say to me, 'What have you got that's a bit like that...?' Acting to the story that they had heard about Sunlight Ironically, back in September, YES had been voted Band of the Year in the Melody Maker 1973 Pop Poll Awards, defeating the likes of Led Zeppelin to the coveted position. Moment moment, Past present movers moments we’ll process the future, but only In his 1975 book Views, Dean wrote: "The final collection of landmarks was more complex than ... intended because it seemed appropriate to the nature of the project that everyone who wanted to contribute should do so. We dream as we dream! Ir Champion T-Shirt Tee Men's Classic Jersey Long Sleeve Vertical Script Logo Soft. Both editions feature restored artwork overseen and approved by Roger Dean with an expanded booklet containing new sleeve-notes, photos and archive material making this the definitive edition of the album. Get ready for the day. Designing for Yes Edit. [23] Sound engineer Nigel Luby recalled that tiles would fall off the box during recording takes. in which simple truths emerge examining the complexities and magic of the past [29], "The Revealing Science of God" is based on the shruti class of Hindu scripture which Yogananda described as scriptures that are "directly heard" or "revealed", in particular the Vedas. Fight, fight, fight, Catch as we look and use the passions that flow Many years later, he acknowledged this in an interview where he talked about his daily schedule: ‘I wake up, I meditate, I’m very in tune with keeping fit. Or so it seems so clearly They'll love it". So the idea of ... a sort of magical landscape and an alternative landscape ... that informed everything: the album cover, the merchandising, the stage. Chris Squire: bass guitar, timpani, vocals Two… it spends any income before it’s earned it!‘. This means that if the mastering engineer decided that the bass guitar needed more bottom end then he/she had to add bass across the whole track, therefore affecting other elements in the mixes too. ‘We started talking about meditation in music – not the guru-type but some really heavy stuff, and he gave me these books of Shastric scriptures. Soul constant sight listener Robert Sheldon for The Times termed the music as "rockophonic", and selected "The Ancient" as a piece of music that "will be studied twenty-five years hence as a turning point in modern music". This was the album cover for Yes' 1974 classic, Tales From Topographic Oceans. [6], Despite the mixed opinions, Anderson wrote in the album's liner notes that Squire, Wakeman, and White made "important contributions of their own" to the music. Ilios As clearer companions – Full album instrumental mixes by Steven Wilson past, our own life, our own history. This Yes tshirt spotlights the album cover artwork from Tales from Topographic Oceans. Examiner.com. The album received a mixed critical reception and became a symbol of alleged progressive rock excess with its detailed concept and lengthy songs. Last night I took my family to go see James Cameron’s new movie Avatar. Get the Definitive versions of 5 Classic YES Albums on Amazon: The Yes Album, Fragile, Close To The Edge, Relayer and Tales From Topographic Oceans. An edition with new stereo and 5.1 surround sound mixes by Steven Wilson arrived in 2016. When the idea for the colorful bean bag chair was hatched, the designer obviously envisioned a wasted teen reclined in the form-fitting piece of loud furnature, with bulky Koss head phones covering the ears, while Tales From Topographic Oceans was spinning on a Pioneer turntable. In 2006, he clarified that his total dislike of the album is "not entirely true" and thinks there are some "very nice musical moments in Topographic Oceans, but because of the format of how records used to be we had too much for a single album but not enough for a double, so we padded it out and the padding is awful ... but there are some beautiful solos like "Nous sommes du soleil" ... one of the most beautiful melodies ... and deserved to be developed even more perhaps. The day can consist of a zillion things at once. Nous sommes du soleil we love when we play we had a bit too much to go on an album of 36 minutes but not enough for a double album. Squire believed Lane did so as a joke on Anderson as he wished to record in the country. Sail the futile wars they suffer [9] Wakeman continues to hold a critical view. Yes started the Tales from Topographic Oceans Tour at Winter Gardens, Bournemouth in November 1973 and covered the entire country before ending in December. So we saw them much smaller than they are in reality.‘. Having already designed the covers that adorned Fragile and Close To The Edge, as well as creating their iconic “bubble” logo, in … Yes frontman Jon Anderson devised the concept album during the band's 1973 Japanese tour when he read a footnote in Autobiography of a Yogi by Paramahansa Yogananda that describes four bodies of Hindu texts about a specific field of knowledge, collectively named shastras: the śruti, smriti, puranas, and tantras. Jokingly nicknamed the album 's period as not a happy one, and each member. Constellations of stars 'that 's great up, and recording Tales from Topographic Oceans to... 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